Donnerstag, 4. Mai 2017

OFFSPRING

 Offspring 2017: DEEP STATE

Concluding the two-year participation of ten emerging artists, De Ateliers proudly presents the twelfth edition of Offspring, curated by Lara Almarcegui and Martijn Hendriks:

DEEP STATE

Johannes Büttner
Giulia Cenci
June Crespo
Inga Danysz
Mary Furniss
Kevin Gallagher
Hadrien Gerenton
Michael Guidetti
Philipp Gufler
Thomas Hämén

You are cordially invited to the festive opening of Offspring 2017: DEEP STATE on Tuesday May 16, 6-8 pm with a reading from my artist book "Indirect Contact" with Fantasma at 9 pm.
Exhibition: May 17-28, open daily 12-6 pm

De Ateliers
Stadhouderskade 86
1073 AT Amsterdam

Samstag, 1. April 2017




Dialogos Athens 2017


The Greek counter example


Curated by Professor Thanasis Moutsopoulo
with Nikos Alexiou, Philipp Gufler, Aliki Palaska, Antje Zeiher and others.

April 6 - April 12 2017
Diplarios School, Athens (Ground Floor), Theatrou
School, Athens, tel: 210.324.0130.



Photo: Antje Zeiher: o.T., 2016, Acryl on canvas, 1,65 x 1,20 m; right: Philipp Gufler: Bergkristall fein_Orasol Gelb 4GN_Orasol Pink 478, 2016, silkscreen on mirror, 1,80 x 0,75 m, both: Courtesy Galerie Françoise Heitsch

Montag, 27. Februar 2017

Romankreisen



Philipp Gufler "Romankreisen"

Opening: Friday 24.3.2017
20 H: Reading by Fantasma and Philipp Gufler from his book “Indirekte Berührung”
Exhibition: 25.3. - 15.4.2017


"The whole novel touches its own page bottom and turns to the next page" Hubert Fichte on his literary project "Die Geschichte der Empfindlichkeit"  

The title of Philipp Gufler’s first show at BQ borrows a term from the German novelist and ethnographer Hubert Fichte (1935 – 1986). Fichte associated this literal translation from Greek with the concept of a circular novel, which in its course returns to the point of departure. In his show, Gufler adapts Fichte’s thought as the conceptual idea of an abstract, orbital movement to reflect on exemplary themes, methods and forms that feature in his body of work. The artist book Indirekte Berührung / Indirect Contact forms the central piece of the exhibition and relates its elements in the form of a logbook. The installation includes mirrors that have been transformed with transparent colour pigments as well as layered fabrics with varying prints. These quilts are hung in the space and also constitute a separate space within the gallery. The last element is an acrylic glass showcase onto which the documentation of a previous performance is projected.

Making use of screen-printing on blue and pink plastic film with spiral binding (a technique which features prominently in his works), Gufler’s prose also takes a shape in which enables its haptic qualities to be experienced. Within these pieces, the reader encounters different characters, some of whom have inspired and influenced Gufler’s artistic production for a long time. They all position themselves on a fictional time scale, stretching from 1597 – the year in which the early baroque painter Caravaggio supposedly started work on his Narcissus – up to 2075 – the future year in which the performance een gebeueren, enacted in 1975 by the Dutch artist Ben d’Armagnac (1940 – 1978), will see its 100th anniversary. Besides locating these two artistic positions that are of personal relevance for Gufler, the years also serve as markers for a wide spectrum of reference points in his works that are often based on artistic research. All major characters – researchers, writers and artists alike – share a fundamentally critical attitude towards the norms of their time, putting into question cultural, political and sexual identity.

Indirect Touch allows historic figures and contemporaries of Gufler to meet outside the boundaries of chronological order. Gufler gives them an indirect voice in the form of appropriated fragments (which cannot be identified as citations in all cases). However, he does not merely cite or reproduce these characters but rather condenses the attitudes associated with or expressed by them. In the process of indirect writing, Gufler repeatedly seems to merge with his characters. The persona that links all 21 chapters is Jäcki, based on the gay flaneur and writer-protagonist from Hubert Fichte’s novel Palette (1968). Like Fichte, Gufler makes use of the character Jäcki as screen as well as ambivalent Doppelgänger (who never fully becomes the alter ego). The character Jäcki becomes a medium for repeated autobiographical passages that may be subtly woven into the text but may also dominate whole chapters.

Gufler’s literary and artistic self-assessments are indirect yet at the same time true to the principle ‘Put your self in quotation marks – call yourself a novel ’. The Fichte quote from Versuch über die Pubertät (1974), parts of which Gufler previously used in an exhibition title, illustrates a decidedly self-critical distance towards an up-close autobiographical approach. That same principle also governs Gufler’s installations and performances. His approaches to a choice of characters from a long tradition of emancipatory history are marked by the artistic pursuit of deeper involvement in regards to emotions and content. Gufler temporarily merges with his subjects of study and, in doing so, self-referentially reveals a fundamental difference between those subjects and himself.
Philipp Fürnkäs


BQ
Weydingerstraße 10
10178 Berlin


Philipp Gufler, Romankreisen, 2017
Silkscreen on fabric, 4-parts
208,5 x 216 x 216 cm


Een gebeuren, 2016
Video: 28:33 min., acrylic glass box, fly maggots, books, scraper, blades, key, lamp, projector, speakers, media player
Acrylic glass box: 99,7 x 204,8 x 89 cm, projektion variable

Reading by Fantasma and Philipp Gufler from his book Indirekte Berührung
during the opening

Philipp Gufler, Indirekte Berührung, 2017
Silkscreen on foil, spiral bound, 30,4 x 19,5 cm
Edition 100 (German), Edition 100 (English

Photo: Roman März, Berlin
Courtesy BQ, Berlin

Mittwoch, 8. Februar 2017

This summer: BEI COSY




16th June - 8th July
BEI COSY
Somewhere between an exhibition, a costume party and a bar. Concept by Philipp Gufler and Richard John Jones in collaboration with Cosy Pièro and Sands Murray Wassink.

(generously supported by AFK)





RONGWRONG
Binnen Bantammerstraat n.2 - 1011 CK - Amsterdam